[Listen to the full episode on our Consequence UNCUT podcast, which presents the complete interview unedited for your listening pleasure below or wherever you get your podcasts.]
“The world is gonna world. Is {that a} saying?” Brandon Boyd asks. The Incubus frontman is referring to the overall thought of “shit occurs,” but additionally two very particular moments for the band — September of 2001, when Incubus had been days away from kicking off their US tour in help of fourth album Morning View, and 2020, after they launched their Belief Fall (Facet B) EP and deliberate on taking Morning View out on the highway for a twentieth anniversary tour.
Each intervals had been marred by turbulence out of the California group’s management: The September eleventh terrorist assaults casting a shadow over this new album they couldn’t wait to share, and 20 years later, the COVID-19 pandemic stopping the group from revisiting the album that propelled them to their peak. “The phrase ‘greatest laid plans’ involves thoughts,” Boyd clarifies. “However music, for us, it’s been a continuing. It’s form of a continuum, and one which we joyously strategy and preserve getting joyously pulled again into.”
For a rock band with a 30+ yr historical past, Incubus aren’t any stranger to stormy climate — and now, as they gear as much as launch their re-recorded version of Morning View (titled Morning View XXIII), they’re trying again on one of many greatest moments of their profession with a renewed sense of gratitude. Whereas Morning View XXIII is a trustworthy re-hash of the album entrance to again (plus a number of newly-added sonic detours), it’s an excellent excuse to rediscover the glory of those songs. Morning View 20 would have in all probability been a stickier title, however alas — 23 will do.
As Incubus discovered themselves recording Morning View in 2001 on the Stern Home in Malibu, a brief drive from their hometown of Calabasas, CA, their tune “Drive” turned a high 10 hit. In the meantime, a 25 year-old Brandon Boyd was coping with heartbreak, and the quintet had a singular alternative to seize everybody’s consideration.
“It was such a bizarre, great, heartbreaking, but additionally revelatory interval of my life,” Boyd recollects. “I used to be studying quite a bit about myself in that type of quiet grieving… it was such a wierd, dichotomous second the place I used to be unhappy, a bit morose in all probability, however then we had been profitable on the identical time, in a method.”